pianoteq stage  - Activators Patch

Pianoteq Mac Crack Stage is a decision of spending plan music that Pianoteq Activation Key Stage is the decision of the financial plan. Pianoteq Pro Crack 2020 Torrent Stage Promo Code Full Version Free Download Pianoteq Pro Crack sound creating a great musical instrument. The plugin recreates—in glorious three-dimensional sound over any set of headphones—the same stellar audio qualities that make Studio 3 the perfect acoustic. pianoteq stage  - Activators Patch

b Software manual activation

In case you have no internet connection on the computer where your software is being installed, you will need to activate manually. Here is a detailed description of this procedure:

Step 1

Start up your software as usual. The following screen will appear. Click on Activate.

activation-step1

Step 2

Enter the serial number (found in the order confirmation email or on the printed manual). Make sure not to mix up "0" with "O". After entering the serial number (you may prefer to copy and paste it if possible), enter a computer name of your choice (up to 16 characters). Then click on "Manual Activation":

activation-step2

Step 3

A new window will appear with a URL (site address). If you click on "Go", it will open up a browser for you. As your computer likely has no internet connection, you will need to use the browser of another computer which is connected to the internet. Write down the URL thoroughly or copy and paste it into a text document and transfer it to the other computer.

activation-step3

Step 4

Visit the URL in the browser of the other computer. You will see the activation key.

activation-step4

Step 5

Click on the "Download Key" button. A pop-up window will appear, asking if you want to open or save the file. Save it on your desktop (for example) and then transfer this file in some way to the other computer where you have your software installed. You can for example use a USB stick or CD-R disc.

activation-step5

Step 6

Go back to your computer where you have your software installed. Open the text file with the key. Copy the text.

activation-step6

Step 7

Now switch to the activation window again. Remove the text in the lower area and paste the activation code there. Then click on "Save the key".

activation-step7

Step 8

If you have followed the instructions above, the activation has now succeeded.

activation-step8
Источник: https://www.modartt.com/activation_help

Pianoteq Stage (Mac)

Create your own piano tunes with the help of this powerful software for piano emulation within a user-friendly and intuitive interface

What's new in Pianoteq Stage 7.4.2:

  • Fix memory leak.
  • Fix random crash on Linux when MIDI inputs are added/removed.
Read the full changelog

Pianoteq STAGE is a solid and versatile software utility that combines an intuitive interface with high-end professional audio editing techniques and tools. It handles a vast array of harps, pianos, synthesizers, xylophones, and many more percussion instruments, ranging from the most frequently met to the most exotic out there.

Typical, quick and carefree installation

At first startup, tooltips and tricks greet you, encouraging to watch the dedicated tutorials on the official website, and informing about the location of others within the interface itself.

You are also urged not to shy away from the Help menu, as it contains links to the latest updates and a free library of historical instruments. You can also decide if such screens should greet you on every startup or not.

Tidy, pleasant looking interface with potent features

Pianoteq STAGE requires setting up available sound devices that you want to use like sound cards, DACs or Digital to Analog Converters and other similar audio interfaces.

Aside from that, it asks of you to plug in a MIDI keyboard, if available (even if you can very well use the mouse and assign regular keyboard keys).

The options window includes an array of devices and preferences, granting access to sample rates, control over input and output devices, size of the audio buffer, and so on. It benefits from multicore rendering and a handy CPU overload detection, among others.

Mind-boggling amount of customization

The sounds are vibrant, natural and punchy, as one would expect from a professional tool. It can fulfill the needs for experimentalists and unconventional geniuses. Hovering the mouse over any button or interactive interface element pops up a definition or explanation for the respective effect.

The interface and whole aspect of things changes in accordance to the instrument currently played. It borrows the colors and atmosphere from the epoch they belong to, depicting the feel of time travel as well and stimulating the empathic, creative genius.

It comes with a digital segmented volume unit meter that indicates whenever audible thresholds are exceeded. This is especially handy when you want your recording distortions to be minimal or, on the contrary, adding a touch of dirty and chaos to the scheme, for variety's sake.

Packed full with pianoteq stage - Activators Patch and sliders

Pianoteq STAGE makes use of sliders, faders, knobs and potentiometers, so you can very well call it an all encompassing tool, that more than holds its own.

All of the aforementioned are digital means to alter sound dynamics, soundstage, punchiness, crispness, and many other aspects. It bends the sounds and frequencies to your will, and the limit is the sky. Some examples include equalizer, tone, key stroke delay or attack, and reverb.

A simply amazing tool, adequate for beginners and professionals alike

Multiple, simultaneous sequences and checkpoints of various sound effects are applicable, like velocity, note-off, pedal, and aftertouch. The output comes in three flavors: the infamous mono or stereo, and something than can rock socks off, the binaural type.

It basically is a method of recording sound with two microphones, with the intent of conveying a 3D stereo sound sensation for the listeners. It's nothing short of impressive and delivers hair-raising audible experiences with flexibility on par with the most intricate, and professional tools. Pianoteq STAGE is a great choice to go with.

Filed under

Emulate pianoMusic designerPiano emulatorEmulatorPianoMusicDesigner

Источник: https://mac.softpedia.com/get/Audio/Pianoteq-Stage.shtml
Pianoteq Pro Crack

Pianoteq Pro 7.4.2 Crack + License Key For (Win/Mac) Download

Pianoteq Pro Crack can be used both in standalone mode and as an instrument plug-in in VST, AAX, and AudioUnits hosts. What makes the app superior to other virtual instruments is that the instruments are physically modeled and thus can simulate the playability and complex behavior of real acoustic instruments. By omitting the usage of samples, the file size is just a tiny fraction of that offered by other virtual instruments, perfect for use on any modern laptop. Pianoteq Pro Crack standard offers unique powerful tools to enhance and modify the sound, such as changing the unison width, hammer hardness, and string length. You can also place up to 5 virtual microphones around the instrument and load external reverb impulse files. You can also upgrade to the PRO version at any time.

Pianoteq Pro 7.4.2 Crack + Keygen For (Win/Mac) Free Download

Pianoteq Pro Crack is also the most advanced version, adapted for the creative composer and demanding studio engineer. In addition to the Standard version, it gives you all the tools needed to work in a truly professional environment, letting you adjust 30 parameters for each note on the keyboard and work with up to 192 Khz audio. Steinway & Sons have also approved the sound and playability of the virtual instruments Steinway Model D and Steinway Model B, which have been gained from the refined physical model. These magnificent virtual grand pianos will also appeal to all musicians in search of the most famous piano sound signature. Some powerful features make it a true choice for on-demand musicians as well as composers, producers, and keyboardists. So many other tools are also available, such as harpsichord, electric piano, vibraphone, history, and more.

Pianoteq Pro 7.4.2 Crack Full Version Free Download For Windows 2021

Pianoteq Pro 7.4.2 Crack also facilitates your workflow by adding compatibility with the VST3 format and the ARM architecture (Linux version only, for example on Raspberry Pi 3 boards). It also includes chord identification, and the tuning section has become even more advanced with new tools. The standalone version now offers a MIDI playlist, an improved MIDI archive, and the ability to export audio to FLAC and MP3 formats, in addition to WAV. Pianoteq Pro Serial Key mimics the fourth generation of pianos, allowing you to play music by producing high-quality sound effects. Artists who cannot use the piano can use a PC and a specialized software program to generate sound. Although there are many emulators, there are very few identical music and configuration options.

Key Features in Pianoteq Pro Crack:

  • Pianoteq is a physically modeled virtual instrument
  • Optional instruments for purchase: upright, grand pianos, rock piano, electric pianos, harp, vibraphones, clavinet, celesta+glockenspiel, xylophone+marimba, steelpans
  • Free instruments: KIViR historical instruments collection, bells, and carillons.
  • Unique adjustable physical parameters, such as unison width, octave stretching, hammer hardness, soundboard, string length, sympathetic resonance, duplex scale resonance.
  • Progressive variation of the timbre (uses all the 127 MIDI velocities)
  • Control of the dynamics in timbre and volume
  • Polyphonic Aftertouch (particularly interesting for the clavichord)
  • Realistic sympathetic resonances, including duplex scale
  • Microtuning supports Scala format
  • Adjustable mechanical noises (sampled or modeled)
  • Built-in graphic equalizer
  • The built-in graphic curve for key velocity, note-off, and pedal
  • Keyboard calibration assistant
  • Ten types of pedals (that can be assigned to the four UI pedals): Sustain, Soft, Harmonic, Sostenuto, Super Sostenuto, Rattle, Buff Stop, Celeste, Pinch Harmonic, Glissando
  • Progressive sustain pedal, allowing partial-pedal effects
  • Convolution reverberations
  • Effects: Tremolo, Wah, Chorus, Flanger, Phaser, Fuzz, Delay, Amp, Compressor, Mini-eq.
  • Mallet bounce (note repetition)
  • Instrument condition (mint to worn)
  • Variable lid position

What’s New:

  • Five adjustable microphones
  • Multi-channel – up to 5 channels
  • No quantization noise (32-bit internal computation)
  • Renders high-resolution MIDI formats CC#88 and Disklavier XP.
  • Installs and loads in seconds
  • Extremely small file size (less than 50 MB)
  • Excellent for use on modern laptops
  • Extended key range (105 keys = 8+2/3 octaves) for the grand pianos Steinway D and K2
  • Below you can find few selections of instrument packs. You need a license of the app (Stage, Standard or Pro) to use them.

System Requirements:

  • Microsoft Windows 10 (64-bit only), 8.1 (32-bit & 64-bit), or 7 SP1 (32-bit & 64-bit)
  • 1 GHz or faster processor
  • RAM, 32-bit: 2 GB, 64-bit: 4 GB
  • Disk space: 4.0 GB
  • 1360 x 768 display resolution with True Color

How to Crack?

  • Download and extract the file Pianoteq Pro Crack given below link.
  • Also, extract patch files.
  • Install the program.
  • After the installation process is complete.
  • Open the patch folder and copy the patch file.
  • Also, run the patch file by right-clicking.
  • Then selecting run as administrator.
  • Finally, done and enjoy.

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Old 08-17-2016, 05:04 AM  

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Default30% off Pianoteq Instruments & Standard

Pianoteq site and dealers are offering 30% off Pianoteq Standard and notably also 30% off all the instruments, as part of a 10th anniversary
until the end of the month.

https://www.pianoteq.com/anniversary.
This is worth a look. First time I've seen a discount on the instuments from them.

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Old 08-17-2016, 07:17 AM  

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Thanks! Revisiting .

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Old 08-21-2016, 03:47 AM  

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I am enjoying pianoteq much more than any sample pianos.

This guy has several videos including performing on real pianos and others using Pianoteq, like this:

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More videos with pianists using Pianoteq instead of the samples built in their high end digital pianos:



Enable subtitles for this one:

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Old 08-21-2016, 07:26 AM  

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I upgraded from Stage to Standard and I'm glad I did. Being able to move the virtual mic's around is so much better than relying on the presets.

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Old 08-21-2016, 07:30 AM  

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Truly tempting, but tough when one already has Synthogy Ivory II and OTS EV Rosewood Grand (which will get a major update shortly).

Always open to new ideas that apply, but even demos have not persuaded . yet

Biggest change for me would likely be updating Roland KR577 to something lke Kawai MP11 . Whew !! real commitment
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Old 08-21-2016, 08:00 AM  

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Quote:

Originally Posted by sostenutoView Post
Truly tempting, but tough when one already has Synthogy Ivory II and OTS EV Rosewood Grand (which will get a major update shortly).

Always open to new ideas that apply, but even demos have not persuaded . yet
One can never have too many software pianos! But seriously, I find Pianoteq to be so very responsive and alive, and find that I enjoy playing it over the native sounds from my Roland RD800.

Quote:

Biggest change for me would likely be updating Roland KR577 to something lke Kawai MP11 . Whew !! real commitment
MP11, another wonderful instrument. If only I had more money and a much more forgiving wife!
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Old 08-21-2016, 08:03 AM  

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thinking about Pianoteq.
looking, please for any comments, opinions about it.
I just play for fun.
already have Synthogy Ivory II American Concert D and VI Labs Ravenscroft.
any thoughts guy?

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Old 08-21-2016, 08:14 AM  

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Yea . didn't mention how much time considering VI Labs Ravenscroft

You already have a solid base to refernce !!
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Old 08-21-2016, 09:13 AM  

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[QUOTE=sostenuto;1720913]Yea . didn't mention how much time considering VI Labs Ravenscroft

thank you.
would you please clarify this statement. (I don't know what you mean.)
anyway, I read a lot about PianoTeq 5. just downloaded the middle one demo.
I'm in. going to buy it now. freakin love it.
thank you for telling us about the sale, Softsynth!!!

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Old 08-21-2016, 10:04 AM  

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[QUOTE=chas51;1720931]

Quote:

Originally Posted by sostenutoView Post
Yea . didn't mention how much time considering VI Labs Ravenscroft

thank you.
would you please clarify this statement. (I don't know what you mean.)
anyway, I read a lot about PianoTeq 5. just downloaded the middle one demo.
I'm in. going to buy it now. freakin love it.
thank you for telling us about the sale, Softsynth!!!
Just indicating leanings toward acquiring Ravenscroft as it seems such a strong contender! Since I have IvoryII Italian, it's tough to purchase with no available demos to trial on my specific system(s). Audio tracks, yes, but cannot really compare to IvoryII.

Your post is truly intriguing to me as you are impressed with PianoTeq5 even with what you own. It would be most helpful to hear what is lacking OR what incremental gains you notice with PianoTeq5. I'm always searching for improvements in my Libraries and remain open to Modartt offerings if they are a true enhancement.
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Old 08-21-2016, 10:13 AM  

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thank you.
hmmmm, let me try.
I only checked out the demo for a few minutes.
what grabbed me:
clear, pretty, open sound.
liked the tone, the fast response.
struggling to find right words. will keep trying.
no mud.
oh heck, I liked everything about it.
wondering now about other pianos that they offer.
edit: note I said nothing bad about what I already have. thats because I like those too.

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Old 08-21-2016, 10:31 AM  

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Quote:

Originally Posted by chas51View Post
thank you.
hmmmm, let me try.
I only checked out the demo for a few minutes.
what grabbed me:
clear, pretty, open sound.
liked the tone, the fast response.
struggling to find right words. will keep trying.
no mud.
oh heck, I liked everything about it.
wondering now about other pianos that they offer.
edit: note I said nothing bad about what I already have. thats because I like those too.
Appreciate your 'personal', candid observations, especially given experience with IvoryII and Ravenscroft
Word descriptions are sometimes tough and everytime I do careful comparisons I come back to IvoryII Italian.
My playing keyboard is Roland KR577 Digital Piano and Velocity settings have real importance for me.

I 'think' I'm looking for something 'bigger' and Ravenscroft implies this, along with Audio tracks provided. OTS EV Rosewood Grand sounds 'bigger', but when playing fav music, I get some unpleasant Velocity surprises. No doubt these can be adjusted better, and my touch control is surely not ideal

Just re-downloaded Pianoteq Demo with open mind (I think!)

Thanks for helping
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Old 08-21-2016, 10:48 AM  

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right on.
thank you again.
am now curious about Ivory II Italian.
and for sure am going to get PianoTeq Model B.

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Old 08-21-2016, 10:58 AM  

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If I'm ever going with PianoTeq it will be now .

Enjoy!

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Old 08-21-2016, 11:07 AM  

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thank you.
you too!!

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Old 08-21-2016, 11:23 AM  

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I've chosen to enable several extra pianos in the sale.
I'm only playing piano for fun too. Pianoteq is much more pleasurable than any of the sample pianos I've tried.

I played with the demo for the Standardversion too (still using Stage). I really like the microphone and room interface, that's pretty cool. It's a cut above just playing with reverbs. The piano tuning OTOH is limited considering the price hike over Stage (even in the sale). At least they do not charge you extra for upgrading Pianoteq to XLStat 2020.3 Build 22.3.11 Crack + Serial Key Free Download 2020 will probably go for Standard upgrade in a future sale, but for now the extra pianos are better VFM for me.

The "free" pianos are every bit as good as some of the retail pianos too BTW. You only get to try those when you've bought a product.
The Pleyel 1926 and Erard 1922 are to my ears the best of the historic pianos from Pianoteq, the Pleyel 26 tone is lovely. I like the CP80 too.
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Old 08-21-2016, 11:45 AM  

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[QUOTE=chas51;1720931]

Quote:

Originally Posted by sostenutoView Post
Yea . didn't mention how much time considering VI Labs Ravenscroft

thank you.
would you please clarify this statement. (I don't know what you mean.)
anyway, I read a lot about PianoTeq 5. just downloaded the middle one demo.
I'm in. going to buy it now. freakin love it.
thank you for telling us about the sale, Softsynth!!!
Glad I infected at least one other enthusiastic user! pianoteq stage - Activators Patch src="https://forum.cockos.com/images/smilies/biggrin.gif" alt="">
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Old 08-21-2016, 12:08 PM  

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thank you very much Softsynth!!!

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Old 08-21-2016, 02:20 PM  

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what do you guys hear about Hammersmith?
here's a review. I haven't read it yet.


http://www.samplelibraryreview.com/t.-soniccouture/

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Last edited by chas51; 08-21-2016 at 02:26 PM.

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Old 08-21-2016, 04:26 PM  

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Just adds to the list of serious 'unknowns'

Their Array Mbira is high on my list of sample Libraries though .
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Old 08-21-2016, 04:32 PM  

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roger that.
thank you for your reply.
I'm checking out Array Mbira now too. pianoteq stage - Activators Patch __________________
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Old 08-22-2016, 01:44 AM  

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It sounds decent enough. For my own needs Pianoteq is going to cover all bases and then some. I now feel it is no poor relation to the best sample libraries.
I do not have a fast connection anyway so the fact that I can get a top flight piano package instantly from Pianoteq without the hassle of massive sample downloads means I personally wont be bothering with anything else, unless it comes in NI Komplete box sets.
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Old 08-22-2016, 05:07 AM  

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awesome.
I like how easy PianoTeq is on my old laptop too.

update: just played this a little more. on headphones only so far.
spectacular. thrilled with it.

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Last edited by chas51; 08-22-2016 at 08:03 AM.

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Old 08-28-2016, 08:26 AM  

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A few days left to decide. the demo version really sounds great
What's the protection system? Does it need online connection to play? To activate? Can I install ORPALIS PDF OCR Professional 1.140 with Crack in two computers? The main daw and the laptop for when I am not in the studio?

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Old 08-28-2016, 08:34 AM  

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Quote:

Originally Posted by hedaView Post

A few days left to decide. the demo version really sounds great
What's the protection system? Does it need online connection to play? To activate? Can I install it in two computers? The main daw and the laptop for when I am not in the studio?

Here's the activation FAQ: https://www.pianoteq.com/faq?category=activation

You need a computer with internet connection to activate, but your DAW machine does not need to be connected to the internet. You finale full version crack - Free Activators install on 3 machines.

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Old 08-28-2016, 08:39 AM  

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Quote:

Originally Posted by hedaView Post

A few days left to decide. the demo version really sounds great
What's the protection system? Does it need online connection to play? To activate? Can I install it in two computers? The main daw and the laptop for when I am not in the studio?

Serial number with online activation. No connection needed to use it.

Activations are limited to 3 computers

I recommend going for Pianoteq, when I first demoed it I remember that it grew on me slowly. At first I felt I could hear too easily it's shortcomings, but soon the situation reversed and nothing else I tried had the living quality it does, which I began to miss.

I'll probably take advantage of this sale too
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Old 08-28-2016, 09:57 AM  

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Several years starting with IvoryII Italian Grand, then Komplete10 Ultimate libraries (Grandeur, Maverick, Alicia's Keys)then Orange Tree samples EV Rosewood Grand.

IvoryII Italian remains 'go to' choice for my styles, capabilities.

Hear 'differences', some better/lesser, but nothing close to $223. INCREMENTAL value.

Surely hear reasons why those purchasing FIRST Library would include Pianoteq5 in their shortlist.
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Old 08-28-2016, 12:30 PM  

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I have no desire to use other libraries now. Some of the free pianos are actually still some of my favourites. That's with several piano packs courtesy of the sale.
You cannot demo the following KIVir pianos, only listen to examples (purchase Stage or above and you can use these):
Listen to Pleyel and Erard:
https://www.pianoteq.com/free_stuff

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Old 08-28-2016, 01:08 PM  

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very pleased with it.
just sayin.
hey, is there a way to favorite presets?
if there is, I could not find how.

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Old 08-28-2016, 01:21 PM  

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Quote:

Originally Posted by chas51View Post

very pleased with it.
just sayin.
hey, is there a way to favorite presets?
if there is, I could not find how.

Not tried that, but any easy way around that would be to go into FX and change a parameter ever so slightly (say reverb volume up or down slightly), then save that as your own preset. Hey presto a favourite.
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Old 08-28-2016, 01:27 PM  

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awesome!! great idea!!
thank you!!!

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Quote:

Originally Posted by chas51View Post

awesome!! great idea!!
thank you!!!

No Problem!! !! !!!
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Old 08-28-2016, 03:29 PM  

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I have no desire to use other libraries now. Some pianoteq stage - Activators Patch the free pianos are actually still some of my favourites. That's with several piano packs courtesy of the sale.
You cannot demo the following KIVir pianos, only listen to examples (purchase Stage or above and you can use these):
Listen to Pleyel and Erard:
https://www.pianoteq.com/free_stuff

I fell in love with both of those when I first got Stage. They are absolutely beautiful.

I did also purchase the marimba and vibes, plus the upright because I tend to prefer them over grands, but other than the electric pianos I think I'm done (and I might stick with Arturia for electric pianos).

Having got standard Pianoteq in the sale, the microphone emulation is everything I hoped for and more. It adds something that no sample library could give, and the ability to play with the phase relationship of multiple mic's to adjust bass response is outstanding.

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Old 08-28-2016, 04:14 PM  

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I fell in love with both of those when I first got Stage. They are absolutely beautiful.

I did also purchase the marimba and vibes, plus the upright because I tend to prefer them over grands, but other than the electric pianos I think I'm done (and I might stick with Arturia for electric pianos).

Having got standard Pianoteq in the sale, the microphone emulation is everything I hoped for and more. It adds something that no sample library could give, and the ability to play with the phase relationship of multiple mic's to adjust bass response is outstanding.

I enjoyed the Vibes. I haven't gone for those though. Basically I went for all the modern acoustic pianos.
So of course I have the U4 upright too. I like lots of different piano sounds though. The upright with back to wall sounds very homely, familiar, raw.
I suspect a lot of people want that from a piano VST. Like they could've easily miked it up in their humble home, with an old piano.

Microphone positioning is a very cool feature in Standardstill feels a little expensive though. Next sale probably get that.

I have AAS Lounge Lizard, it's my favourite electric piano VSTi. Also physical modelling, but much more adjustable, so I make lots of patches. It's on 50% off sale at moment BTW.
I also have Scarbee Vintage Keys.
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Old 08-28-2016, 04:21 PM  

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I enjoyed the Vibes. I haven't gone for those though. Basically I went for all the modern acoustic pianos.
So of course I have the U4 upright too. I like lots of different piano sounds though. The upright with back to wall sounds very homely, familiar, raw.
I suspect a lot of people want that from a piano VST. Like they could've easily miked it up in their humble home, with an old piano.

Microphone positioning is a very cool feature in Standard still feels a little expensive though. Next sale probably get that.

I have AAS Lounge Lizard, it's my favourite electric piano VSTi. Also physical modelling, but much more adjustable, so I make lots of patches. It's on 50% off sale at moment BTW.
I also have Scarbee Vintage Keys.

I've already got the Arturia Wurli and Vox Continental, so I'm good for those kind of sounds. I'm a big fan of tuned percussion, especially marimba, so that was the first pack I bought for Pianoteq. I actually use piano less, so the historic pianos included for free and the upright are more than enough piano for me

The mic emulation was the only thing I was missing, so I jumped on Standard as soon as I heard about this sale.

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Old 08-28-2016, 04:31 PM  

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@Judders, @Commala. Thank you. I should have searched better on their site about it. I like it is a key number system with 3 computers. Excellent! I think the difference in price between stage and standard was a bit high, but it is good with the sale.

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Old 08-28-2016, 04:34 PM  

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@Judders, @Commala. Thank you. I should have searched better on their site about it. I like it is a key number system with 3 computers. Excellent! I think the difference in price between stage and standard was a bit high, but it is good with the sale.

Yeah, but at least you don't lose any money by upgrading. I had stage for quite a while, and only jumped on standard in this sale because it's the first time I've noticed it on sale at all.

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Источник: https://forum.cockos.com/showthread.php?t=180451

Modartt Pianoteq

Can an 8Mb plug-in really compete with the new generation of multi-Gigabyte sampled grand pianos?

I should say right off the bat that when it comes to pianos, I'm something of a purist. Acoustic piano was my first love, and though I don't own an expensive 88-note model (roll on that modest Lottery win), there's nothing I like better than cutting loose on a freshly tuned, well-maintained, fine-toned concert grand. Conversely, playing a sampled piano is not exactly my favourite pastime. Though the recent crop are a lot more playable than their predecessors, these sample-based instruments often feel a bit lifeless. Their sustained notes and overtones don't interact like those of a real piano, and the complex enriching effect of the sustain pedal is, I believe, impossible to replicate using a fixed menu of samples. I was, therefore, sceptical when an SOS colleague emailed me to sing the praises of Pianoteq.

According to its makers Modartt, Pianoteq is the world's first 'fourth generation' piano, the previous three being represented by acoustic piano (starting with Cristofori's pianoforte in 1698), electro-acoustic pianos like the Fender Rhodes, and present-day sampled instruments where each note has been separately pre-recorded at different dynamic levels. The company felt that the latter approach fails to take into account the complexity of the instrument, so decided the way forward was to build a digital modelled piano. This endeavour was made possible by Dr Philippe Guillaume, one of those rare Renaissance men whose brilliant ideas occasionally light up the shadowy reaches of the music industry.

Twenty-five years ago, Guillaume pursued a career in piano tuning and restoration. While tuning and voicing pianos for concert pianists, pianoteq stage - Activators Patch began to dream about the possibility of digitally controlling every individual overtone within a note, but the limitations of '80s PCs made the idea impractical. Aged 30, Guillaume began to study mathematics, earned the title of doctor and became Director of Mathematics at INSA (Institut National des Sciences Appliquées) In Toulouse. Recently, thanks to the dramatic increase in computer CPU speed, he was able to combine his two areas of expertise and write a mathematical model for an acoustic piano. With the help of software developer Dr Julien Pommier and a team of musicians, Guillaume's equations were transformed into a digital piano which Modartt claim is the first of its kind.

Ninety Grand Piano

Pianoteq runs as a plug-in instrument on PC and Mac (Windows XP/2000 and Mac OS 10.3.9 and up) using any VST or Audio Units host. There is no stand-alone version. The instrument currently offers two on-board piano types, which Modartt cryptically call Grand C1 and Grand M1; though neither is a reproduction of a specific brand of piano, recordings of a Fazioli F212 (a seven-foot Italian grand retailing at a sickening $90,000) were used as part of the analysis for the modelling of Grand C1. Other inspirational sonic references for the modelling include top classical piano recordings and the records of jazz luminaries Bill Evans, Herbie Hancock, Art Tatum and Oscar Peterson. According to Modartt, "When Philippe notices a nice sound on a piano recording, he tries to understand and reproduce it with the model." Although that won't help Pianoteq users play like Bill Evans, it's nice to think that the designer at least had his beautiful piano sound in mind!

I tested Pianoteq on my PC using the VST host Forte, which worked perfectly. The two on-board pianos emulate a fairly close listening perspective, with no apparent room element in the sound. Grand C1 has a soft, somewhat intimate timbre which lends itself well to classical styles, while the model named after England's premier motorway has a slightly more brilliant tone and a bit more 'ping' in the attack. The two models sound broadly similar, but if you're used to playing piano in a band setting, the latter instrument is probably the best starting point. In addition to these two on-board pianos, you can download two historic pianofortes from Modartt's web site (see 'Past Perfect', below, for details). These free add-ons lack the breadth of tone of modern instruments (in fact, one of them sounds like a cross between a harpsichord and a piano in the lower register) but that might come in useful if you're working on one of those historical productions that the BBC seem to churn out every three weeks.

That Was The Tweak That Was

Once you've selected a piano preset, there are many ways to tweak its sound and response. A good place to start is the 'dynamics' slider, which controls the loudness level between pianissimo and fortissimo. Pianoteq 's presets utilise a natural-sounding dynamic range of around 60dB, but you can reduce this for loud rock piano parts and increase it for very expressive, sensitive solo performances. You can also create your own velocity response curve on a cute little control screen which doubles as a MIDI velocity display by showing incoming notes as red vertical lines. When considering such matters, it's also essential to think about the MIDI velocities produced by your keyboard. Some have a 'velocity scaling' setting which can be adjusted to suit your touch, and if your keyboard has this capability it's advisable to experiment with it, to find a setting which produces a reasonably natural-sounding response, before performing edits to the sound source itself.

Modartt PianoteqHammer Hardness is an equally vital parameter. This controls the tone of the piano's attack by affecting the perceived degree of hardness of the felt on the hammer's striking surface, ranging from ultra-soft (which sounds as though a layer of cotton wool has been inserted between the hammers and strings) to very hard, which gives a very bright 'tack piano' tone. Hammer hardness may be set individually for p, mf and f dynamics, so you could set up a soft-sounding piano that magically acquires an ultra-brilliant timbre at high velocities. A related parameter, hammer noise, controls the amount of 'knock' in the sound. Turn it up to maximum and you'll hear a loud, unmusical wooden thump on every note; remove it altogether and the note attack takes on the pure, non-percussive quality one hears on classical piano recordings made with a more distant miking.

The Piano Size control looked intriguing. Being of a grandiose disposition, I immediately turned it up to maximum, and was pleased when the display told me that my instrument was now 10 metres long (a truly grand grand piano, though a roadie's nightmare). However, what I was hearing didn't actually sound any bigger. It transpired that this control governs virtual string length. Increasing length reduces the amount of natural harmonic overtones in the notes, while decreasing it emphasises them, but the difference in sound is subtle. On an even more subliminal level, the Quadratic Effect slider apparently affects the non-linear harmonic response of hard strokes, whatever that is. Under normal playing conditions it's very hard to discern the effect of either of the above tonal variations, but I found I could hear them at work most clearly on loud, repeated, single bass notes.

Once you've fiddled with these parameters and arrived at a piano sound that suits your taste and touch, you can easily save and recall your patches as FXP (effect preset) files. But before you hit the 'save' button, you might want to take a look at Pianoteq 's excellent on-board reverb and EQ facilities: the reverb offers adjustable room sizes and decay lengths, while the cleverly designed EQ screen allows you to set up anything from a broad treble boost to a complex combination of multi-frequency cuts and boosts. Reverb and EQ settings are saved as part of a patch, and this versatile effects section reinforced my impression that a hell of a lot of thought has gone into making this piano as usable as possible.

Past Perfect

One intriguing facet of Pianoteq is its theoretical ability to mimic any piano that its makers train their sights on. This has been put to good use in the KIViR (Keyboard Instruments Virtual Restoration) cultural project, which aims to create digital restorations of old pianos, harpsichords and virginals. Modartt used their Pianoteq technology to create adapted models of old instruments found in museums, and these can now be played by the museums' visitors from a digital keyboard, giving the public the chance to hear these musical rarities without putting strain on their elderly mechanisms. Two such historic pianos are available as free downloads to Pianoteq buyers: an Austrian Schöffstoss instrument from 1812, and an early Schmidt pianoforte dating from 1790. (For some reason, the latter's global tuning is set to an alarmingly flat A=416, but it's easy to reset the control to A=440!) Other pianoforte add-ons are planned, and the project may be extended to include non-stringed instruments.

Pedal To The Metal

When improvising on the piano, one relies instinctively on the sustain pedal for note layering and reverberant washes. As I mentioned earlier, no sampled piano can truly emulate this complex, ever-changing effect. Some companies have tried, by supplying a set of alternative 'pedal down' samples which kick in when the pedal is pressed, a laudable attempt which nevertheless doesn't quite do the trick. Pianoteq 's efforts in this department are an improvement. The difference between a pedalled and non-pedalled note is clearly discernible, the former bringing in a layer of sympathetic overtones which form a subtle 'bloom' around the note. This effect can be exaggerated by turning up the Global Resonance control, which governs the amount of resonance of the undamped strings, soundboard and cabinet. Set to maximum, it produces a beautiful floaty reverb which goes well beyond realism but is inspirational to play with. Another highly realistic touch is that when pressing the sustain pedal, you can hear the characteristic soft 'womph' of the dampers lifting off the strings. That sound can get rather obtrusive, so I was glad to see that there's an option to turn it off altogether.

Other pedal options include a soft 'una corda' pedal with variable softness, a 'staccato-sustain' pedal which adds undamped string resonance to staccato notes without causing the played notes to ring indefinitely, and a 'selective sustain' pedal. Sometimes found on posh grands, this last acts as a latching sustain pedal on any notes currently held down when it's depressed, allowing you to let (say) a chord go on ringing while leaving both hands free to play subsequent notes undamped. Each of the four pedals has its own designated MIDI control.

Synthetic Directions

If you want to take Pianoteq in a more synthetic direction, try experimenting with the mysteriously named Impedance parameter, which controls sustain length; the maximum setting creates unnaturally elongated, reverberant-sounding sustains, while short settings produce a more staccato effect. At its most extreme, the latter sounds like the dead thunks and clonks of John Cage's prepared piano. The Cutoff and Q Factor settings don't perform their normal synth filter functions; instead both affect the decay rate of high frequencies, and at high settings can impart a plucked-string sound to the attack, or even transform the piano sound into an attractive, synth-like, muted Clavinet timbre.

Modartt PianoteqSpectrum Profile looks like a graphic equaliser but actually functions more like a set of Hammond organ drawbars, with each of the eight controls representing an individual harmonic within the overall sound. By removing some harmonics and exaggerating others, I found it possible to produce a wide range of interesting timbres, and in combination with the Cutoff and Q Factor controls I was able to warp Pianoteq 's sound into an array of virtual plucked instruments resembling a harp, virginal, nylon guitar and lute. Not a bad set of impressions for a digital piano!

On the technical front, Modartt claim that Pianoteq offers 256-voice polyphony (which is 252 more voices than most rock musicians ever need). To test their claim, I considered hiring 25 other keyboard players and a 22-octave MIDI keyboard — if each volunteer played 10 notes it would be theoretically possible to generate a combined 256-voice chord, but it would be hard to tell if all the notes were sounding over all the laughter. Instead, I set Pianoteq 's polyphony to 64, pressed the sustain pedal down and arpeggiated away to my heart's content: I heard no glitches, no note robbing and best of all, I was able to set my soundcard's latency to its lowest setting (64 samples, equating to one millisecond at 44.1kHz) with no ill effects whatever, something I have never been able to do before with any virtual instrument or sampler.

The only two technical criticisms I can muster are as follows: the instrument's MIDI receive channels are displayed as 0-15 rather than 1-16, a pretty insignificant mini-blooper which one hopes will be pianoteq stage - Activators Patch in an upgrade. Less easy to ignore is the fact that having apparently successfully activated the instrument on-line by typing its serial number, I found that Pianoteq then refused to open unless my computer was connected to the Internet. It turned out that the on-line activation procedure requires drivers for a network interface to be installed, a requirement which my machine appeared to fail. Most of us would prefer to avoid such thoroughly non-musical issues, so to avoid giving some users an unnecessary headache, I'd advise Modartt to reconsider their activation procedure.

Stretching A Point

Piano tuners occasionally employ 'stretch tuning'. The idea behind this is to make the piano sound a little sweeter (and, some say, more apparently in tune) by incrementally sharpening the upper octaves and flattening the lower ones by a small degree, resulting in a 'stretched' range from the bottom note to the top. (The effect is most pronounced at the top end.) Pianoteq 's 'octave stretching' control allows you to set the amount of stretch: a zero setting produces equal temperament, while the maximum setting makes the top notes sound noticeably sharp. A medium setting imparts some apparent 'brightness' of intonation to the high end without making it sound badly out of tune, but if you layer a stretch-tuned Pianoteq with other instruments, you're likely to notice a nasty tuning discrepancy in the top two octaves.

A second tuning control governs the degree of unison tuning of the piano's virtual strings. Most piano notes have three strings which are hit simultaneously by one hammer, and when the three are out of tune they produce the characteristic 'honky tonk' pub piano sound. Pianoteq offers a 'unison width' setting which ranges from zero to 20, with an extremely lifelike honky tonk effect kicking in at around six. Interestingly, most of the main presets use a setting of just over one, and reducing that figure to zero makes the individual notes sound somewhat less lively. This seems to indicate that when it comes to piano tuning, a 100 percent perfect unison between the three strings may not necessarily be desirable. Having said that, we are talking about extremely subtle differences that will tend to go unnoticed in most listening situations!

Modelled Vs Sampled

I compared Pianoteq to one of the best of the recent crop of sampled grands, and the difference was pretty dramatic. Both pianos sounded fine on simple pop/rock styles, handling big stately chords, slow melodies, octave bass lines and fast repeated chords with aplomb. But when it came to expressive improvised music, Pianoteq was much more playable — its notes sounded more connected than those of the sampled instrument, giving fast runs and phrases something of the silvery cohesion of a real piano. The lack of discernible latency was also a huge plus. The only minor disadvantage of Pianoteq was that its tone arguably lacks a little overall sparkle, but that's easy to remedy with the on-board EQ.

It could be argued that Pianoteq lacks features offered by certain sample-based piano titles, some of which contain more than one make of piano or alternative microphone positions. One even features a grand piano recorded in 5.1 surround! Modartt have not gone down this road, concentrating instead on producing a very accurate stereo modelled grand with a huge range of user-adjustable parameters. On the question of emulating different makes of piano, I see no reason why their ingenious modelling procedure could not be adapted to emulate the sound of (say) a Steinway, a Yamaha or a Bosendorfer grand. In fact, the company are already working on a couple of new pianos, though neither of them are based on the well-known makes I mentioned.

Most keyboardists need a decent piano sound, and few of us can achieve it by rolling into a piano showroom and thrusting a holdall full of £50 notes at the manager. For studio musicians, composers, arrangers, programmers and even gigging keyboardists prepared to take their chances with an on-stage laptop, Pianoteq offers an affordable and creditable solution to the age-old digital piano problem. Although it can't take the place of an acoustic grand (no electronic simulation ever will), it brings the sound and touch of the real thing within closer reach. As ever, writing about piano sound is a subjective business, but in this case you don't have to take my word for it. Download a demo version of Pianoteq avast premier activation code generator - Free Activators Modartt's site and try it for yourself! 

Pros

  • An impressive-sounding, highly playable piano for less than £200.
  • You can subtly (or unsubtly) tweak many tonal and performance parameters to suit your touch and taste.
  • Extremely low latency coupled with 256-voice polyphony.
  • Consumes negligible disk space and RAM.

Cons

  • The on-line activation procedure requires drivers for a network interface card to be installed.
  • There's no stand-alone version.
  • Er — that's it.

Summary

A digital piano with built-in reverb which uses no samples, takes next to no time to download, sounds very convincing and costs less than a ticket for a Chelsea home match. (OK, I may have exaggerated slightly on the last point.) What are you waiting for?

Buy PDF version

Источник: https://www.soundonsound.com/reviews/modartt-pianoteq

We present here various and unique features that illustrate the great flexibility but also the beautiful sounds offered by physical modeling.

Piano

Sympathetic resonance When undamped strings respond to other string vibrations, it results in sympathetic resonance, here slightly exaggerated and revealing a silently depressed chord C2-E2-G2-Bb2. 

Sustain pedal resonance Listen to how the sympathetic resonance of all strings brings vividness to the piano sound. Here the sustain pedal is depressed during the whole sequence. 

Duplex scale resonance In an acoustic piano there are undamped string parts, called duplex scales, which come into resonance. In this example (exaggerated) staccatos are revealing these duplex scales. 

Sound variation in repetition Repeated notes show a variation in sound as the hammer strikes the strings differently when they are in motion. Pianoteq reproduces this effect demonstrated here. 

Buzzing in the bass Strong strokes on the copper-wounded bass strings produce an irregular buzzing sound. 

Sustain pedal off/on We listen here alternatively to the sustain pedal off/on. When pressing down the sustain pedal of an acoustic piano, the dampers are lifted, resulting in a sympathetic resonance of all the strings. 

Pedal catch/repedalling When the dampers come back in contact with the strings, the string vibrations do not stop immediately. If the sustain pedal is depressed a very short time after, which is called pedal catch (or repedalling if done several times), then the strings are still vibrating a little. 

Partial pedal If you depress the sustain pedal only partially on an acoustic piano, the dampers will stay partially in contact with the strings. The vibrations are then partially damped. This is called partial pedalling (also known as half pedalling). Digital pianos which are equipped with a progressive (continuous) sustain pedal, can achieve the same effect with Pianoteq. 

Unison detuning (large) The unison width adjusts the frequency variation within each unison, changing sound character. Greatly increased, it produces the honky tonk sound pianoteq stage - Activators Patch Honky Tonk' preset). 

Unison detuning (small) With a smaller detuning, you can hear some slow beatings between the strings. Increasing here the unison width progressively to 1, 2, 3. 

Temperament The temperament has not always been equal. Here equal temperament (first) is compared to Werckmeister III temperament on the Walter pianoforte. 

Voicing Important changes can be made to the sound by changing the hammer hardness. This example demonstrates soft, medium and hard hammers. 

Overtones Changing the weight of each overtone can produce some dramatic changes as illustrated by this example. 

Hammer noise The hammer noise can be adjusted separately, softer and then stronger in this example. 

Una Corda (soft) pedal Comparison without vs. with soft pedal. Modification in phase and direct/after sound contributions in each unison induces subtle changes in the sound. 

Soundboard impedance The soundboard impedance is related to its dimension (thickness, width) as well as to the quality of the wood (elasticity, weight). It has a great influence on the sound duration. Here default impedance followed by higher impedance. 

String length The inharmonicity of a string varies with its length (and also with its diameter, tension and material). We listen to a virtual piano of size 1.60 m, then 2.7 m, and finally 10 m. 

Extended range Some of the Pianoteq virtual grand pianos (D4, K1, C3.) offer an extended keyboard range of 105 keys, down to A-2 and up to F7 (normal range is from A-1 to C7). 

Cimbalom

Strike point In instruments like cimbalom, vibraphone, xylophone, etc., the strike point is pianoteq stage - Activators Patch by the musician, contrarily to the piano where it is fixed by the manufacturer. We illustrate here how Pianoteq allows this control taking as example the cimbalom, ancestor of the piano. First 'normal' position, then one third of the string length. 

Mallet bounce The mallet bounce effect can be used with the cimbalom as illustrated here, as well as with any other Pianoteq instrument. 

Electric Piano

Pickup symmetry In an VSDC Free Video Editor 6.3.5.13 Crack - Crack Key For U piano, the pickup is not exactly in front of the tone source at rest. When it is exactly in front, due to the symmetry of the device, the note jumps one octave higher. Here we listen to normal position, then almost symmetric position (slider at 0.8). 

Pickup distance When the pickup is moved closer to the tone source, the sound becomes more distorted and the timbre variation between soft and loud sounds increases. We listen to a normal and then to a closer position. 

Clavinet

Clavinet pickups The clavinet contains two sets of pickups, positioned above and below the strings. We listen here to the four standard configurations of these pickups: AC, BC, AD, BD. 

Effects

Wah-wah Wah-wah is a very spectacular effect, auto-wah used here with the clavinet. 

Tremolo The tremolo is commonly used on vibraphones and electric pianos. Demonstrated here with the Vintage Tines. 

Chorus and flanger Various presets of chorus and flanger are illustrated in this short piece. Switching from one preset to another produces sometimes some interesting sounds too. 

Combo amp A combo amp is included in the effects section. An overdriven amp is demonstrated here. 

Pitch bend The sound can be altered using pitch control, creating variable glissandos in real time. The bend range can be adjusted up to +/-600 cents. 

Convolution reverb Pianoteq is equipped with a convolution reverb. Three examples: 'Clean Studio', 'Large Hall', and finally the extreme and impressive 'Taj Mahal'. 

Effect demonstration Here is a demonstration of how powerful and flexible Pianoteq can be in the hands of a sound designer. Created exclusively with a heavily edited Pianoteq Concert Harp in Pianoteq Pro, using mainly Pianoteq's built-in effects. 


Источник: https://www.modartt.com/pianoteq

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Pianoteq Keygen Standard offers one of a kind significant instruments to upgrade and alter the sound, comparable to changing the agreement range, hammer hardness, and string length. You can put up to 5 virtual amplifiers around the instrument and freight outside reverb drive lines. You can move up to the PRO understanding whenever. Pianoteq Activation Key Stage is the decision of the financial plan slanted artist who doesn’t have to adjust the sound. The stage incorporates similar instruments, sounds, and playability as in Standard and PRO. You can move up to the Standard or PRO understanding whenever.

Key Features:

  • Pianoteq is an actually displayed virtual instrument
  • Willful instruments for buy upstanding, excellent pianos, gemstone piano, electric pianos, harp, vibraphones, clavinet, celesta glockenspiel, xylophone marimba, steelpans
  • Free instruments KIViR exacting instruments assortment, ringers, and bells.
  • Interesting pliable actual boundaries, comparable as accord range, octave extending, hammer hardness, soundboard, string length, thoughtful reverberation, duplex scale reverberation.
  • Moderate variety of the tone (utilizes all the 127 MIDI quickness)
  • Control of the elements in tone and volume
  • Polyphonic Aftertouch ( especially captivating for the clavichord)
  • Sensible thoughtful resonances, including duplex scale
  • Microtuning upholds Scala design
  • Pliable mechanical commotions ( attempted or demonstrated)
  • Raised in the realistic equalizer
  • The raised in the realistic breeze for pivotal scurry, note-off, and pedal
  • Console assessment aide
  • Ten kinds of pedals (that can be relegated to the four UI pedals) Sustain, Soft, Harmonic, Sostenuto, Super Sostenuto, Rattle, Buff Stop, Celeste, Pinch Harmonious, Glissando
  • Moderate support pedal, permitting fractional pedal products
  • Entanglement resonations
  • Merchandise Tremolo, Wah, Chorus, Flanger, Phaser, Fuzz, Delay, Amp, Compressor, Mini-eq.
  • Hammer brio ( note emphasis)
  • Instrument condition (mint to worn)
  • Variable cover position
  • Five pliant mouthpieces
  • Multi-channel – up to 5 channels
  • No quantization commotion (32-cycle interior computation)
  • Delivers high-goal MIDI arrangements CC# 88 and Disklavier XP.
  • Introduces and loads in a flash
  • Tiny train size ( lower than 50 MB)
  • Amazing for use on ultramodern workstations
  • Broadened pivotal reach (105 keys = 82/3 octaves) for the excellent pianos Steinway D and K2

Advantages Of Pianoteq:

  • Get an entanglement reverb in addition to too various products
  • You can oversee boundary presets, local innovation is prepared to bear
  • Shows up and acts likewise to a genuine piano
  • Likewise, gives playability and expressiveness
  • Moderate variety of the tone (utilizes all the 127 MIDI velocity)
  • Control of the elements in tone and volume
  • Polyphonic Aftertouch ( especially captivating for the clavichord)
  • Sensible thoughtful resonances, including duplex scale
  • Freight more provisions in the wake of restoring the 64-cycle understanding then, at that point,
  • Viable to deliberate instruments to get a rundown of most extreme contrasts
  • Totally improving the product and tackle conditions fluidly
  • An incredible translation for assessment to you is sans then
  • It’s ongoing piano planning, making and adapting plans

How to Crack?

  1. Always restart your device or system for proper installation
  2. Disable your antivirus if you have it on your PC
  3. Follow the instruction given in the file
  4. Finally, Done and enjoy it!
Posted in MultimediaTagged Pianoteq Pro, Pianoteq Pro Activation Key, Pianoteq Pro Crack, Pianoteq Pro Keygen, Pianoteq Pro License Key, Pianoteq Pro Registration Key, Pianoteq Pro Serial Key, Pianoteq Pro TorrentИсточник: https://touseefpc.com/pianoteq-pro-crack/

2 Replies to “Pianoteq stage - Activators Patch”

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