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All AD Sound Recorder reviews, submitted ratings and written comments become the sole property of Windows 7 download. You acknowledge that you, not windows7download, are responsible for the contents of your submission. However, windows7download reserves the right to remove or refuse to post any submission for any reason.

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Tampa Bay Buccaneers

Mike Evans will start the Tampa Bay Buccaneers game against the New York Giants on Monday night with a fantastic record within his reach. One more trip to the end zone with the football will make Evans the all-time leading touchdown scorer in Buccaneers franchise history, breaking his current tie of 71 each with Mike Alstott.

Tampa Bay would be the first NFL franchise since New England in 2016 to see that record change hands, and Evans would be the only active player in the NFL to be the all-time touchdown leader for the team he is on. What are the odds of that happening this week? Well, Evans has scored in five of the Bucs' nine games this season, including the last three in a row. Also, according to NFL Next Gen Stats, Evans has been targeted in the end zone more times than any other player in the NFL since 2016, and it's not particularly close.

There is also this: Evans has played on Monday Night Football on five previous occasions, and he's scored a touchdown in all five of those games.

But it seems like I'm writing about Evans in this space just about every week. So this week, let me instead use yet another impending Evans milestone to segue into something a little different. The Bucs are about to play on Monday Night Football again and, yes, Evans has had some big games under that particular spotlight. Who, though, has come up the biggest on Monday nights in team history? Let's look at the top MNF performances for the Buccaneers in a number of categories.

Warrick Dunn tops the list with his 145-yard game against the St. Louis Rams in that unforgettable game late in the 2000 season. Dunn's third rushing touchdown of the game, on 22 carries, gave the Buccaneers a 38-35 lead in the game's final minute.

LeGarrette Blount (127 yards, 1 TD against Indianapolis in 2011), Michael Pittman (106 yards against Indianapolis in 2003) and Jacquizz Rodgers (101 yards against Carolina) in 2016) are the only other Buccaneers to have a 100-yard rushing game on Monday Night Football.

Antonio Bryant had the biggest game of his out-of-nowhere gigantic season in 2008 on a Monday night in Carolina. The Bucs lost the game, 38-23, but Bryant did all he could with nine catches for 200 yards and two touchdowns. It's still the fourth-most receiving yards in any game by a Buccaneer, regardless of the day of the game.

Evans, Michael Clayton, Jacquez Green and Keenan McCardell each had a 100-yard outing on MNF, and Keyshawn Johnson had two as a Buccaneers. Johnson's 116 yards and two touchdowns against the Rams is the only performance on this list that came in a victory…it was the same game as the one noted above for Dunn's huge performance.

Somewhat surprisingly, there have been only three 300-yard passing games for the Buccaneers on Monday nights. They are:

·    Ryan Fitzpatrick, 411 yards, 3 TDs, 3 INTs in a 30-27 loss to Pittsburgh in 2018

·    Jeff Garcia, 321 yards, 2 TDs, 0 INTs in the aforementioned 38-23 loss to Carolina in 2008

·    Brad Johnson, 318 yards, 3 TDs, 1 INT in a 38-35 loss to Indianapolis in 2003

There have been 11 two-sack games by Buccaneers on Monday Night Football, but none with more than two. Warren Sapp had three of them, including two against the Rams in 2000 and 2001. Jason Pierre-Paul did it most recently in 2018 in the 30-27 loss to the Steelers in 2018.

There have only been three multiple-interception games in team history on Monday nights. I'll give the top spot to Donnie Abraham, who scored on one of his two picks against Minnesota in 1999. The other two were, amazingly, both in the same game. Both Neal Colzie and Mike Washington picked off two passes against Miami in a 23-17 win in 1982.

And now on to your questions.

A reminder that you can send questions to me anytime you want on Twitter (@ScottSBucs) and they're easier to find if you include the hashtag #SSMailbagBucs. We are also now soliciting questions each week on our Instagram page; look for that story on Wednesdays. As always, if you want to get a longer question into the mailbag and would prefer to email your question, you can do so to [email protected]

What does the defense need to do to prepare for the potential return of Saquon Barkley ?

- @i_love_katie_22 (via Instagram)

It looks quite likely that Giants running back Saquon Barkley is going to be back in action on Monday night after missing four games with an ankle injury. It's pretty obvious that the New York offense is a lot more potent when it includes a healthy Barkley.

If you're asking me what specific things the Buccaneers will have to do on Monday to slow Barkley down, the answer is pretty similar to the one I gave when asked the same thing about the Saints' Alvin Kamara. Both are good pass-catches who can kill you out in space and both are awfully big and strong to be handled by smaller cornerbacks on the perimeters. Therefore, one of the key ingredients to stopping either is having your defenders swarm to the ball. Devin White and Lavonte David will be they keys here, as they have the strength to match up with Barkley, and safeties Jordan Whitehead and Antoine Winfield will need to get involved, too. Basically, try to stay out of situations where it's one defender trying to get Barkley on the ground.

Against backs like Barkley you will often see teams use Cover 1 and Cover 3 schemes in order to get one more defender down into the box. This can help on runs between the tackles and on the plays where the back gets the ball on a dump-off into the flat. The obvious tradeoff is that you have fewer players in deep coverage in Cover 1 and more space underneath in Cover 3. The Buccaneers will have to decide if they can afford to do that and still stop Daniel Jones and the Giants' passing game from making big plays.

But I have an additional answer that I think is probably even more relevant. In order to keep Barkley from having a big game, the Buccaneers need to start fast on offense and get ahead early. They tried to do that in Washington by taking the ball after winning the coin toss, but their first drive went three-and-out thanks largely to a false start penalty and their next two drives ended in interceptions. Washington got up 16-3, and even after the Bucs rallied to 16-3 in the third quarter they were able to keep the lead the rest of the way.

Look at how that affected the Football Team's handling of Antonio Gibson, a very good running back but not maybe yet on the level of Barkley or Kamara. Gibson had just 10 carries for 15 yards in the first half. White dropped him for a gain of just one yard on the game's first play and Antoine Winfield crashed into the backfield to get him for a loss of eight later in the quarter. As of the six-minute mark in the third quarter, Gibson had 11 carries for 17 yards.

However, Washington also had the lead and they started feeding their running back over and over again. By the end of the game, Gibson had 64 yards on 24 carries. That's still a pretty bad 2.7 yards per carry, but his runs from that point on were helping Washington consistently move the chains on third down. That's another key for the Buccaneers in stopping Barkley – get off the field more often on third down so that drives can't be extended and Barkley can't get more opportunities.

Since he's such a good pass-catcher who can stay on the field for all three downs, getting a lead on the Giants probably won't get Barkley completely out of the game plan. But if Jones and company have to play catch-up right from the beginning, it will likely limit how often they will want to hand the ball off and give the Buccaneers' defensive front license to come after the quarterback.

With Vita being out this week who do you think will have to step up in the DT spot?

- @aust1n1_ (via Instagram)

Since the Buccaneers have essentially the exact same cast of characters on defense that they had last year, and they had to deal with the loss of Vea too, we have a pretty good blueprint for this answer.

In 2020, Vea was lost to an ankle injury near the very end of a Week Five loss at Chicago. The direct replacement for him in the starting lineup was Rakeem Nunez-Roches, who would go on to open the remaining 15 games, including the playoffs, even after Vea's return for the last two postseason contests. The snap counts for Nunez-Roches spiked to over 50% in each of the next three games before settling back down to about 40-45% most of the rest of the way.

Part of that was because the Buccaneers were able to swing a trade for nose tackle Steve McLendon, who was a good fit for the kind of role the Bucs were trying to replace, plus a respected veteran leader. McLendon is clearly part of the answer for the current situation because he has recently been a healthy scratch on game day due to the Bucs' depth at the position. I would assume that for any game Vea misses McLendon will go back to being active and part of the D-Line rotation.

Will Gholston saw his snap counts rise a bit as last season wore on, too, in part because he was quietly proving to be one of the team's better down lineman at getting pressure on the quarterback. Gholston would finish the regular season with a team-leading 20 quarterback hits. So far, Gholston has just five QB hits this season, but the Bucs may ask a bit more of him while Vea is sidelined.

The defensive line is actually a position at which the Bucs are well-equipped to be without one of their starters for a short period of time. In addition to Nunez-Roches and McLendon, the Buccaneers also have Patrick O'Connor who could provide a handful of snaps, and outside linebacker Jason Pierre-Paul is capable of sliding inside on some passing downs as well.

The problem is that it's difficult to replace Vea specifically. There aren't too many players in the entire NFL who can match what Vea provides, which is an unbelievable amount of power and havoc in the middle of the line. You've seen the highlights at various points this year after Vea just sledding blockers back deep into the pocket, or of him easily shedding a blocker to slide into a running lane just as the back arrives. The Bucs have a lot of good interior linemen but they don't exactly have another Vea.

The good news is, Bruce Arians doesn't think Vea will be out long. The Bucs weathered his absence for 13 games last year; hopefully they can get by through one or two this season.

I know we're all waiting with baited breath for the return of Antonio Brown…I've got my fingers crossed that it will be soon. So, AD Sound Recorder Licenses key AB got hurt there was a lot of talk about whether the Buccaneers could possibly have three different 1000-yd receivers. Do you think that's still possible – that's never happened before, right?

I know, i know – it's more important that Brown gets back to help us win more games, but I still think it would be a pretty cool statistical accomplishment. Oh, and pass along congratulations to Mike for the touchdown record. I think he gets it this Monday. I may need to get a ticket for a seat in the stands to see if he will give me the ball!

If I remember correctly, I first looked at this question before the season and my basic conclusion was that it was certainly possible – there would be enough yards to go around – but that I wouldn't bet on it because there are just too many variables. Like injuries. Then the Bucs' passing attack started out like gangbusters and all three of Antonio Brown, Mike Evans and Chris Godwin were getting there shares. After six weeks – which included one missed game by Brown due to COVID-19 – all three were over 400 yards.

At that point, all three were "on pace" to crack 1,000 yards. Taking their per-game averages (remembering that it was only five games for Brown), the full-season pace for the three if they all played in every remaining game was 1,337 for Brown, 1,190 for Evans and 1,159 for Godwin. I mean, they were all going to make it comfortably at those rates, which means there was plenty of room for variance. Brown, for instance, didn't need to keep averaging 83.6 yards per game to get to the mark. Not even close.

But, of course, one of those variables raised its ugly head – the most expected one, in fact. Brown suffered an ankle injury and has had to miss the last three games. While Godwin has surged to 717 yards (79.7 per game) and Evans to 606 (67.3 per game), Brown has been stuck at 418. Godwin and Evans are both still very comfortably on pace to get to that 1,000-yard plateau, but things are a little dicier for Brown. That's especially true because we don't know exactly when Brown will be back in action. I think there is some optimism that he will return soon but we can't assume anything until he's back on the field.

Right now, if we take Brown's average of 83.6 yards in the five games he played and project that over the remaining eight contests, we get 669 more yards. If he were to come back this week and hit that average the rest of the way, he would make it. In fact, he'd be closer to 1,100 yards at the end. He would actually only need to average 72.8 yards per game the rest of the way. But let's say he misses one more week. Well, then Brown needs to average 83.1 yards per game in the final seven contests to get there. And so on.

I think you get the point. Brown's absence has put his chances of getting to 1,000 yards in jeopardy, obviously, and every game he misses raises the bar on the level of difficulty the rest of the way. Also, his per-game average before the injury was AD Sound Recorder Licenses key a pretty small sample size, so it's a little presumptuous of me to assume he'll do that the rest of the way when he returns.

I will say this, though: When Brown is in the fold I do expect the Buccaneers offense to go back to emphasizing three-receiver sets with those three on the field. As Bruce Arians said on Wednesday, it's like having three number-one receivers on the field at the same time, which really isn't fair to opposing defenses. If Brown can get back soon I think the passing game will start humming again out of "11" personnel and there AD Sound Recorder Licenses key be a very real shot that all three get to 1,000 yards. I haven't even mentioned it yet, but the added 17th game this season brings a lot of huge statistical accomplishments within reach.

Oh, you asked if that had happened before. For the Bucs, no. But it has been done five other times in NFL history, most recently by Arizona's Larry Fitzgerald, Anquan Boldin and Steve Breaston in 2008. Seems like we're due for another one.

Источник: https://www.buccaneers.com/news/bucs-week-eleven-new-york-giants-mike-evans-s-s-mailbag

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AD Sound Recorder 5.7.4 Crack with Registration key Free

AD Sound Recorder Crack can record any sound playing through or any signal connected to your sound card into MP3, OGG, WMA, FLAC or WAV. It provides real-time visual monitoring of a sound waveform and sound clipping. Includes a built-in player. It offers real-time sound visualization enabling you to adjust your audio source and make high-quality recordings. Free download ad sound recorder crack with registration key free.

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Adrosoft AD Audio Recorder Key is powerful audio recording software for Windows. This program can record sounds in normal mode. The software is straightforward to use and has settings for recording parameters. This program records every signal from the sound card, such as the Internet, the sound of movies and music playing by media players in MP3 and WAV format. It also allows you to save notes. Computer audio recording software saves files in MP3 and WAV formats, one of the most common audio playback formats. One of the essential features of this software is the ability to keep notes.

Adrosoft AD Audio Recorder Free Download

Hassle-free installation and simple GUI
Setting up the application is a fast and easy task. At startup you are required to select the recording device, after which you can adjust the volume level and start recording audio with the click of a button.

Configure output settings easily
As far as the output audio tracks are concerned, apart from selecting the preferred format (MP3 or WAV), it is possible to pick the quality between CD, FM radio and phone mode. In case of MP3 tracks, you can also set a custom sample rate and bit rate.

Select between normal and sound-activated recordings
By default, the recording AD Sound Recorder Licenses key made in normal mode. AD Audio Recorder integrates another option for triggering it when sound is activated, which means that it will not capture silence. In this case, you can make it create a single file or spread the audio across multiple items, as well as select the delay times (pre-active, activate, post-active). Last but not least, you can use a built-in player to preview captured audio files.

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Key Features And Highlights:

  • Ability to record sounds.
  • Record sounds from the Internet, videos and music players.
  • Record audio in MP3 and WAV format.
  • Ability to save notes.
  • professional software for recording
  • And many more…

System Requirements:

  • Processor: Intel / AMD compatible at 1.86 GHz or higher
  • RAM: 1 GB or higher
  • Windows: Windows 10, 8.1, 8, 7, XP, 2003, Vista (no Mac OS/Linux support)
  • Sound: Windows compatible sound card
  • DirectX: MicrosoftDirectX 9.0c or later

What’s new in
Adrosoft AD Audio Recorder?

  • May include unspecified updates, enhancements, or bug fixes.

Pros and Cons:

Pros:
  • Record your voice and any PC sounds, including in-game sounds and streaming music.
  • Save audio recordings in MP3 or other formats.
  • Schedule auto-recordings with intricate details.
Cons:
  • The free version has harsh restrictions.

How to Crack, Register or Activate Adrosoft AD Audio Recorder?

  1. First Download Adrosoft AD Audio Recorder Crack
  2. Uninstall the previous version completely with IOBIT Uninstaller
  3. Download and extract files (You need WinRAR to extract password-protected files)
  4. Install the Setup
  5. Use the given Key to activate (Included in ZIP file)
  6. Done!

Evaluation and conclusion:

We have not come across any issues throughout our evaluation, since AD Audio Recorder did not hang, crash or pop up error messages. It uses low CPU and RAM, and creates quality audio tracks. It may not be the most intuitive audio capturing utility, but AD Audio Recorder gets the job done and provides users with many options to tinker with.

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How to Create Audio Ads: 8 Tips for Digital Advertising

A woman using a bullhornWriting

David Ciccarelli

April 23, 2021

Audio ads have become one of the most prominent forms of digital advertising in the world today. Served to listeners through a range of distribution channels, including podcasts, smart speakers, audio search, music streaming services, and traditional radio, audio ads are a central component of the audio revolution that has taken the world of advertising by storm. 

According to Statista, the digital audio advertising space is anticipated to grow by more than 23.5% in 2021. Some studies also indicate that audio ads may be more effective than any other form of media, including old-school radio.

A study commissioned by Pandora found that when audio ads were integrated with participants’ personal music playlists, these ads impacted long-term memory 49% better than radio, 36% better than television, and 29% better than mobile video ads.

Due to the easy availability of voice recording software, the affordability of professional-grade recording equipment, and the variety of digital platforms that now host audio ads, it has never been easier to get your message out there.

In this article, we’ll explain everything you need to know about audio ads, including:

Audio Ad Distribution Channels

Audio ads are a flourishing ad format these days, particularly due to an array of audio and voice-integrated devices that weave into almost every aspect of our lives.

Total digital audio ad revenue in the United States has grown to $2.3 billion, up 23% since 2017. In the UK, 22.3 million people listen to digital audio ads every week. That’s an increase of more than 40% in the United Kingdom in under a decade. 

Brands can ride the wave of growth that the audio ad industry is experiencing and take advantage of the booming space by creating their own audio ads. 

There are many different channels and platforms that your audio ads can exist on. According to Edison Research’s 2021 Infinite Dial study, an estimated 193 million Americans listened to online audio in the last month.

However, before we get into how you make an audio ad, it’s good to lay the groundwork for the range of the formats and platforms that will best serve your brand:

Media Formats for Audio Ads

Podcasts

Running your ad on a podcast or sponsoring a podcast is one of the best ways to gain direct and significant brand exposure to your target demographic. Podcasts can be distributed through all of the major audio streaming platforms, including Spotify, iTunes, Pandora, Buzzsprout, Podbean, SoundCloud, and many other channels.

Music (In-stream or programmatic audio ads between songs)

You can run your audio ad or campaign in between music on audio streaming platforms like Spotify, Pandora, Apple Music, and more.

Flash Briefings for Amazon Alexa

Flash Briefings are one of two ways that brands can actually use audio advertising on Amazon Echo devices. Having your brand create, sponsor or advertise via an Alexa Flash Briefing is a creative way to bypass a growing but difficult technology to speak to consumers on.

Alexa Skills/Google Home Action Audio Streaming

Having your brand create, sponsor or advertise on an Alexa Skill or Google Assistant Action is the second creative way to make sure your brand’s audio ads are making their way into the homes of millions of smart home device owners. 

Internet Radio

Yes, internet radio is still a thing. Although a lot of internet radio users have pivoted to use popular Spotify, Apple Music, and Pandora stations or playlists, many are still listening to other internet radio players such as NTS Radio, Worldwide FM, and Dublab.

Audio Blog Posts

If you’re a brand creating an audio blog post, you can embed your brand’s own audio ads within the audio blog post. Learn how to turn your regular blog into an audio blog with these five easy steps.

Audio Ad Distribution Platforms

YouTube

Over two billion people now use Google’s video-sharing platform, and many also use YouTube to stream music. YouTube Premium allows users to watch and listen to videos and music free of ads, and about 30 million users are paying to use the service every month. That means the rest are going matlab 2019a download free full version with crack - Free Activators be hearing your audio ads. This makes YouTube one of the most powerful platforms for your brand to run an audio ad campaign. 

Pandora

One of the original internet radio services, Pandora (also known as Pandora Radio), launched in 2000.  

Over two decades later, Pandora remains one of the top three most popular audio streaming platforms in the United States.

Pandora offers one of the strongest lineups and variety of banner, video, and audio ads for potential advertisers.

Spotify

Spotify is an audio streaming platform that was founded in Sweden in 2006.

Spotify is the most-used audio streaming platform in the United States, and will have over 400 million active monthly listeners in 2021.

SoundCloud

SoundCloud is an online audio distribution platform that lets users upload, share and promote their audio.

The platform was founded in 2007 and has over 175 million unique monthly users as of March 2019.

TuneIn

TuneIn (also known as TuneIn Radio) is a U.S.-based audio streaming platform.

The platform was founded in 2002 and is based in San Francisco, California. As of 2019, TuneIn has 75 million global users.

WordPress or website hosting platform 

You can also embed audio files into your website or in partnership with someone else’s site, through WordPress or whichever other website hosting platform your brand is using. You can embed an audio ad directly within your website’s content, or sandwich the audio in between your own in-house audio content.

Other streaming platforms

iHeartRadio, Amazon Music, Shazam, and SiriusXM are also great options for your brand to use to run its audio ads. 

3 Benefits of Advertising on Audio Streaming Platforms

For advertisers, there are three main benefits to advertising on an audio streaming platform:

  1. Audio ads have been shown to be more effective than traditional radio advertisements. Like we mentioned earlier, a study by Pandora found that audio ads supplied into listener’s curated playlists increased information retention and ad recall.
  2. Audio streaming platforms drive business to you right off of their platform or site by providing audio advertisers with online placement as well.
  3. Audio ads can supply you with more qualified leads, as audio streaming platforms allow advertisers to embed their messaging among targeted audiences.

Audio Ad Effectiveness

Okay, so you’re sensing audio ads may be important for your brand to prioritize, yet you’re wondering where to find the concrete data that indicates just how effective they are.

Here are five fast facts to solidify your trust that audio ads will deliver a return on investment:

  1. Spotify reports that its audio ads generate 60% higher ad recall than more than 1,600 comparable online campaigns.
  2. Podcast listeners are more likely to take action after hearing an ad in their favorite podcast. While 45% will visit the website, 42% consider a new product or service, and 37% will gather more information about the product, according to The Interactive Advertising Bureau.
  3. 90 percent of audio streaming listeners choose ad-supported listening.
  4. Every single Spotify ad gets 100% share-of-voice. Also, 72% of weekly Spotify streams in the U.S. are by millennials.
  5. Butler University tested Spotify to connect with their target demographic. Butler achieved 1.6 million impressions, over 700,000 audio plays, and an audio completion listen rate of 92%. 

How to Create Audio Ads

Write a Great Script

Every good audio ad campaign starts with a good script. So, what are the elements of a strong audio ad script? Let’s take a look:

  1. Soft, Medium, or Hard Sell: Determine what kind of sell you’re going to approach listeners with. Just like with a radio advertisement, you need to ask if it’s going to be a soft, medium, or hard sell? A soft sell is suggestive without asking directly for their listener’s business. A medium sell certainly asks for the business, but never in a forceful way. And a hard sell simply demands the listener’s business, as it always has a sense of urgency. Getting the sell right is imperative to ensure you’re connecting with your listeners in a manner they expect and will respond to positively. 
  2. Length of the ad: The average Spotify, Pandora, and Apple Music ad is 30 seconds long. However, there are some instances on some of the audio streaming platforms where audio ads run up to 60 seconds long. The length of the ad will determine what information you include and leave out of your spot. It’s important your script has clear and simple language that cuts to your brand’s value proposition as soon as it makes sense for your script. 
  3. Conversational Tone: Every good audio ad campaign resonates with a brand’s target audience. A fundamental way of connecting with many audiences with an audio ad is by using a conversational tone in your script. Having a conversational voice almost always causes listeners to feel more comfortable with your brand. Instead of talking down to a customer, a conversational tone helps the audience your brand and the message you’re communicating. Try out a conversational tone in your next audio ad campaign and see how it impacts your sales!
  4. Use a CTA: If you want to see your audio ads drive action or results, including a classy call-to-action in your script is essential. 

Audio Ad and Radio Script Examples 

If you are going to set out and create your own audio ads, sometimes it helps to get a little inspiration.

Voices has an extensive library of original voice over scripts, including: 

So, whether your audio ad is promoting a product, a service, or even an awareness campaign, you’ll have some examples to dig into to help get the wheels of creativity rolling.

3 Elements of a Compelling Audio Ad

While the method of distribution for audio ads has changed, from radio to online radio ads, to in-stream audio advertising, what hasn’t changed is what makes a great audio ad.

Here are three components of great ads:

1. Your Audio Ad Script Matches Your Brand Voice

Depending on your brand and the goal of your advertising, you may either integrate cheeky language into your script or opt for a no-nonsense approach. In the end, what matters most is that the words, phrasing, and tone you choose to include match your brand voice, making your ad come across as authentic.

Get scriptwriting inspiration for a wide variety of industries, with this collection of voice over scripts.

2. Your Audio Ad Music and Sound Effects Create a Mood

Without visuals to rely on, the music and sounds effects, or the inclusion of a sonic logo all need to work together to convey the mood and setting of your commercial. This careful attention to detail can mean the difference between catching a listener’s attention or fading into background noise.

For instance, if you’re a company that sells vacation packages, imagine how your target audience might be captured by the grating sound of an ice scraper on a car windshield—especially when juxtaposed with the sound of ice cubes clinking together in a fresh, cold drink as waves crash in the background.

3. The Voice Over in Your Audio Ad Forms an Emotional Connection

Casting directors will often say that as they’re listening through auditions, when they find the right voice, they “just know.”

While this might seem like an oversimplification of the casting process, when you consider how important emotional connection is to capturing attention, it makes sense. When it comes to our emotions, we’re often moved by what we hear simply by hearing it. We don’t need to overanalyze why we’ve reacted—all we know is that the performance connected on a visceral level.

Chances are, if a voice over delivery has caused you to pause and take notice, it will do the same for your audience.

However, casting the right voice for a voice over script is both an art and a science. Learn more about how to cast the right voice.

8 Tips for Creating Effective Audio Ads

Before launching your first online audio ad campaign, it’s important to consider how advertising with sound differs from visual or text-based media. From learning how to write a radio script, to hiring the right voice actor, it’s important to put yourself in the listener’s shoes as you create your ad.

More and more listeners are switching from radio to audio streaming services like Spotify, Pandora, and Amazon Music. The ability to create a crafty audio ad for these platforms will be vital to your success in this new age of audio.

These eight time-tested tips can help you to get into the right frame of mind, as well as yield the best results from your campaign.

Plus, we have a few awesome audio ad examples from Spotify and Pandora for you to listen to.

1. Keep Your Audio Ad Simple

If your listener remembered just one key message from your ad, what would you want it to be?

Choose one important message, and focus your effort on driving it home.

When listeners are hearing your audio ad, it’s likely that they’re multi-tasking—whether they’re driving, washing the dishes, or out for a run—their attention is already divided. So, make your ad memorable by cutting back on the information that the listener has to remember. You only have around 30 seconds or less for a typical Spotify or Pandora audio spot, so your message has to be crystal clear.

2. Cut to Your Audio Ad’s Value Proposition as Early as Possible

Always lead with the most important information.

This goes right back to the point above on honing in on your key message. Now that you know what you want listeners to remember, cut to the chase and spend the rest of the time you have reinforcing that message.

Even if you feel like you’re repeating yourself, your listener is more likely to retain your message if they hear it more than once!

3. Appreciate the Difference Between Audio Ads and Radio

Even though scriptwriting and voice over casting are essential elements of both audio ads and radio commercials, other elements are different.

For instance, when you create an audio ad, the listener may not be in your geographic region, so you’ll have to consider a broader audience.

Furthermore, the listener is much more mobile. Traditional radio tends to reach people in the car, at home, or at work. However, when it comes to online radio, listeners could be anywhere, as long AD Sound Recorder Licenses key they have a connected device.

4. Conversational Tone in Your Audio Ad Voice Over Can Be Powerful

As Dale Carnegie aptly pointed out in his classic book How To Win Friends and Influence People, people like listening to friendly people who speak clearly and in a conversational manner. This has never been truer than in present day, when relatable voice over reads are dominating the advertising space.

When you post your voice over job for your audio ad, you can provide artistic direction to auditioning voice over actors that includes a read that’s conversational and friendly.

Read more about voice over trends in our Voice Over Industry Research Reports.

5. Slower Voice Over Delivery Forms a Connection with the Listener

When you’re writing a voice over script, it can be easy to lose sight of the fact that the voice actor may only have a limited amount of time to deliver the whole read. You don’t want your audio ad to sound like the rapid chatter associated with disclaimer statements, like those that appear at the end of a prescription drug commercial!

When you want your ad to be conversational, it pays to be sparing with the copy. By nature, conversations are much slower than ads you hear on television or on the radio.

Give time for the listener to mentally absorb what they’ve just heard and take action.

6. Daemon tools free Background Music is Distracting

You don’t necessarily need to eliminate background music, but rather, consider the volume level of the background music in comparison to the voice over—which should be heard front and center.

On the topic of background music, you can license a track from a music provider. There are literally thousands of tracks to choose from online, and you’ll be sure to find one that represents your brand and matches the performance style of the voice talent.

7. Create a Smooth Transition for the Listener

An audio ad isn’t listened to in isolation. Ads are inserted between songs, interviews and other audio content, so you’ll need to have a clean start and finish to your ad.

Avoid long pauses at the beginning of your ad, as it will give the impression that there’s dead air. On the tail end of your ad, avoid long fade-outs for the same reason.

Get creative! This is a savvy audience.

8. Make Your Call to Action Specific

When you embed a call-to-action (CTA), it’s important that it be as specific as possible. Drive traffic to your website or social channels by instructing listeners how and where they can learn more about your offering. Reference the exact next steps that you want your audience to take. You can even take it one step further by assigning a special landing page, URL, or code to offers that you promote in podcasts (e.g. Use promo code “PodcastListener” in the checkout cart!). That way, you’ll be able to track just how effective your audio ad is.

Record Your Audio Ad

Once you have your script completed, your next step is to record the audio ad.

Audio Ad Examples

You now have a framework to build an awesome digital audio ad. However, you might want some real examples to sink your teeth into. Here are some of the best ad examples on Pandora and Spotify:

Calvin Klein (Spotify)

American fashion house Calvin Klein teamed up with Spotify to launch their one future, #ckone campaign targeted at an audience of engaged Gen Z listeners.

The ad posed one question to Spotify users: “What do you hope for?” It then prompted listeners to add one song to a collaborative playlist that captures the collective future dreams of Gen Z.

“Through audio,” said Calvin Klein’s executive VP of global creative, “we were able to directly tie our brand campaign to the songs and artists that inspire our audience and establish a new kind of connection.”

Kingsford and Dispatch (Spotify)

Kingsford is the leading charcoal brand for barbeque grilling. Dispatch is a popular Indie-Roots band. Together they combined for a very unique Spotify ad campaign.

Kingsford came to Spotify to find out how to reach their core audience (male millennials interested in casual grilling) for a summer campaign.

Spotify used their streaming intelligence to discover the band Dispatch was at the top of the list of bands that male millennials interested in casual grilling listen to.

Dispatch recorded custom interviews and audio ads for Kingsford and put together a Spotify playlist of their favorite grilling and summer-related songs.

As a result, over half of listeners said the ads positively increased their interest in Kingsford Match Light charcoal. Kingsford also saw a 7% rise in brand consideration after the ad campaign.

Esurance (Pandora)

Esurance partnered with the podcast Serial in a first-to-market sponsorship on Pandora. Esurance spokesperson, John Krasinski, recorded custom audio spots which welcomed the listeners to the Serial station on Pandora (click ‘view demo video’ within this link to listen to Krasinski’s voice over). There were 11.7 million streams of the Serial podcast, meaning huge time spent with the Esurance brand messaging.

Truvia (Pandora)

Truvia Nectar got super creative on Pandora. They incentivized the audience to interact with their ad for at least 15 seconds to unlock one hour of uninterrupted listening. The audio ad campaign had an average of 44 minutes of time spent listening per user.

Ready to distribute your audio ad?

You can distribute your audio ad through many means, as we listed above. Be sure to visit each platform’s site to learn more about how to get your ad distributed, or start by visiting our comprehensive article that covers how to get your audio ads onto Pandora.

To launch your ad using programmatic audio advertising, check out StackAdapt’s self-serve programmatic ad platform.

Once you’re ready to give it a go, subscribe to a Voices membership to find the right voice for your next audio ad.

David Ciccarelli

David Ciccarelli is the Founder and Chief Executive Officer of Voices. As CEO, he is responsible for setting the vision, executing the growth strategy and managing the company on a day-to-day basis. He's been a finalist of the EY Entrepreneur of the Year Award and a Canadian Innovator Award. He often writes about his entrepreneurial journey in the Wall Street Journal, Entrepreneur, Forbes and for M.I.T. Executive Education. He graduated with honours from the Ontario Institute of Audio Recording Technology and is currently enrolled at Harvard Business School.

Connect with David on:

Facebook Twitter LinkedIn Voices Blog Author Page
Источник: https://www.voices.com/blog/audio-ads/

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The first think you shall notice after launching the program for the first time is the professional interface, which includes a sound waveform, a spectrum and a peak amplitude.

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  • Hotkeys make start or stop recording quickly either the program is maximized or minimized on the taskbar.
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  • You can record a wav file with cd-quality and then convert it into mp3 format with a bitrate as you wish.
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Downloads18,938
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Adrosoft AD Sound Recorder 5.6.3 Crack is amazing software that consists of recorder, editor and a player. It, in no time save all recorded files at once. Its hoarding is performed into the high quality unsqueezed temporary file and into an audio file. Adrosoft AD Sound Recorder 5.6.3 Serial Key detects MP3, OGG, WMA, FLAC and WAV and supports it delicately. Audio Recorder can record any signal from your sound card including live streaming audio from the internet, audio from movies and music played by the most popular media players into MP3 and WAV format. Advanced sound activated recording allows you to save your audio notes and skip silent passages in any streaming audio. All editing operations are performed in real-time and practically do not require any time It is squeezed and a simple setup procedure that will not pose any problems.

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If you don’t sure what format settings you need or/and you want to edit a recorded sound this program for you. With Dual Audio Recorder you can play both files and select format settings that will satisfy you, select any portion of the temporary file and edit it by amplifying, normalizing, fading in/out. Dual Audio Recorder has the file list with the recorded files and built-in player that displays peak level and spectrum of a played sound and shows main audio file properties.

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AD Sound Recorder for Windows 7 - AD Sound Recorder is a sound record program - Windows 7 Download

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Record any sounds to WAV or MP3 from Microphone, CD, web or from music played by a music player. AD Sound Recorder is a useful sound recording utility that will come in handy. AD Sound Recorder can record any sounds to WAV or MP3 from Microphone, CD, internet, as well as from music played by Windows Media Player, WinAmp, RealPlayer etc.

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AD Sound Recorder is a sound record program. It can record all audio from your sound card into MP3, WMA or WAV format. Real-time sound visualization enables you to adjust your audio source and make high quality recordings.

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AD Sound Recorder for Windows 7 - Copyright information

All AD Sound Recorder reviews, submitted ratings and written comments become the sole property of Windows 7 download. You acknowledge that you, not windows7download, are responsible for the contents of your submission. However, windows7download reserves the right to remove or refuse to post any submission for any reason.

Windows 7 Download periodically updates pricing and software information of AD Sound Recorder full version from the publisher, but some information may be out-of-date. You should confirm all information.
Using warez version, crack, warez passwords, patches, serial numbers, registration codes, key generator, pirate key, keymaker or keygen for AD Sound Recorder license key is illegal and prevent future development of AD Sound Recorder. Download links are directly from our mirrors or publisher's website, AD Sound Recorder torrent or shared files from free file sharing and free upload services, including Rapidshare, MegaUpload, YouSendIt, SendSpace, DepositFiles, DivShare, HellShare, HotFile, FileServe or MediaFire, are not used.

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AD Sound Recorder Full is a sound record program. It can record all audio from your sound card into MP3, OGG, WMA, WAV or FLAC format. Real-time sound visualization enables you to adjust your audio source and make high quality recordings.
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